Carol Kaye Born ( 1935-03-24) March 24, 1935 (age 82) Occupation(s), Instruments,, Years active 1950s–present Website Carol Kaye (born March 24, 1935) is an musician, known as one of the most prolific and widely heard, playing on an estimated 10,000 recordings in a career spanning over 50 years. As a, Kaye was the bassist on many and productions in the 1960s and 1970s. She is credited with the bass tracks on several hits and many film scores by and.

Carol Kaye (born March 24, 1935) is an American musician, known as one of the most prolific and widely heard bass guitarists, playing on an estimated 10,000. Carol Kaye (born March 24, 1935) is an American musician, known as one of the most prolific and widely heard bass guitarists, playing on an estimated 10,000.

One of the most popular albums Carol contributed to was '. Besides her contributions on bass guitar, she also played and and, contributing the acoustic rhythm guitar parts on ' ' in one of her earliest recording sessions, as well playing guitar on numerous other hit songs in the 1960s and 1970s including the twelve-string electric on several songs. Contents • • • • • • • • • • • • • Life and career [ ] Kaye was born in, to professional musicians Clyde and Dot Smith. She grew up in poverty near and in 1949, at the age of fourteen began teaching guitar professionally. Throughout the 1950s, Kaye played in dozens of nightclubs around with many noted bands including Bob Neal's jazz group, backing, and.

By her own account, Kaye got into lucrative studio work 'accidentally' in late 1957 with. A few years later, when a bass player failed to show for a session at in, she was asked to fill in on what was then often called the.

She was a member of, which she clearly states was actually called 'The Clique', a group of studio musicians who played on a large number of hit records from Los Angeles in the 1960s. Throughout the 1960s, while at the time unknown to the public, Kaye played bass on a substantial number of records that appeared on the.

Download Free Software Hp Laserjet P1006. By some estimates, she played on 10,000 recording sessions. Kaye played bass on many of hit recordings, including ', ', ', and '. She worked on 's ill-fated but legendary project and was present at the 'Fire' session in late November 1966 when Wilson reportedly asked the studio musicians to wear toy fire hats. Kaye's work also appears extensively on well-known and soundtracks from the 1960s and early 1970s. She worked with most of the leading producers and musical directors in Los Angeles during that era, including,,,,,,,,,,,,, and. Her intense solo bass line, reverberating in quiet moments in Spector's production of ', lent drama to the song's 'Wall of Sound' and helped lift the record into the Grammy Hall of Fame.

Kaye played the bass tracks on several of hits, and did soundtrack work (including sound effects on bass guitar) for a young. She also came up with the famous intro on 's greatest hit '.

Her tracks for so impressed him, that he said in his 2001 autobiography Q that '. Fender bass player Carol Kaye. Could do anything and leave men in the dust.' Kaye performed on several American television themes including the produced,,,,,,,,,,, and the. She is credited with performing on the soundtracks of, and along with,,,,, and.